Notes and Heresies for the Young Filmmaker: With gratitude to the young for teaching me.

Young Woman with .a Camera

(Photo by Jed Villejo on Unsplash.)

· Know your story.

· Tell your story.

· Do what works.

· Be mischievous.

· Discover!

· Don’t think like everyone else.

· Don’t talk like everyone else.

· Join no club.

· Learn from the wisdom of the generations.

· Learn from those unlike yourself.

· Listen to the masters.

· Hear the questions of the neophytes. They are the best.

· Seize your own questions. Ask them!

· The student aspires to be the master. The master learns to be the student.

· Don’t rebel against the past, rebel against the present.

· Put what hurts up on the screen.

· Conjure your fiction, address your audience.

· Embrace uncertainty.

· Beware common thinking.

· Beware the ‘industry professional’.

· Deplore celebrity. Respect people.

· Read! — literary fiction, essays, philosophy.

· Feel! Acknowledge your emotions.

· Look! Outside. Inside.

· BELIEVE IN CINEMA!

· Analyze, intuit, dare, explore, challenge, realize.

· If you’re dreaming, you’re asleep! Martin Scorsese.

· Style comes from the soul.

· Don’t be vague — be precise. Render your ambiguities exact.

· Don’t ‘cut to the chase’, cut to the suspense…

· Tension over conflict.

· Drama as journey. Drama as ambush. Drama as stealth.

· Dissonance divides your viewer — for which they will thank you.

· Don’t please everyone. Welcome detractors.

· Subvert.

· Defy your audience’s moral righteousness.

· Defy.

· The integrity of vulgarity. The sublimity of elegance.

· Open the heart.

· Reveal the soul.

· ‘Film production’ is an industrial, not a creative process.

· Filmmaking is a creative process.

· ‘Camera’ as concept and practice, not brand or model.

· Camera as servant. Camera as master.

· Seek simplicity, not reduction.

· Emotion. Cognition. Visceral/Neural/Enteric/Tactile Sensation. Vision.

· Mischief. Magic. Mystery.

· The unknowable in the familiar.

· The aesthetics of the screen are practical.

· Cinema can never be explained.

· Know composition. Know mise-en-scène.

· ‘Coverage’ of a scene is not storytelling.

· Film ‘grammar’ is not film language.

· A size, a framing, an angle relates to other sizes, framings, angles.

· Vista to vignette.

· The flow of energy.

· The power of ‘negative’ space.

· Screenplay. Casting. Editing. (Kieślowski.)

· ‘Prep’ is a misnomer — it’s already happening!

· No, it doesn’t all happen on the set.

· Know your intentions.

· Let your film take you where it will.

· Your film works when it outgrows you.

· Subscribe to no agenda.

· Don’t be ‘well-meaning’.

· Never preach.

· Draw from your community, time, and place.

· Step outside them.

· All fictional worlds are imagined.

· All fictional worlds derive from experience.

· The specific is universal.

· The general is nebulous.

· Realize the moment.

· The actor brings the moment to life.

· You bring the moment to life.

· Support, challenge the actor.

· Every actor is different.

· Spontaneity in performance

· Artifice in performance.

· Mastery of the actor.

· Naiveté of the actor.

· Immediacy. Distance.

· Cassavetes. Bresson.

· Language of the actor. Language of the screen.

· Listen to the actor, especially when you are certain.

· The actor tells the micro-story.

· You tell the micro-story.

· Territory and its boundaries — the primal currency of staging.

· Be a diplomat, a collaborator, a politician, be cunning, be compassionate.

· Be parental. Be a child.

· Be strong. Be vulnerable.

· Don’t play the simpleton.

· You are responsible. Own it.

· Persistence, resilience, application, stamina, motivation, humility.

· Process not product.

· Underthinking is the problem, not overthinking.

· Overthinking is not knowing how to think effectively.

· Never abandon enquiry.

· The partnership of mind, heart, and gut.

· The symbiosis of psyche and universe.

· Trust yourself, not your ego.

· You might be wrong.

· The gift of doubt.

· Bring your mentors inside, then challenge them!

· Look for what lies in front of your nose.

· Seek the truth.

· Make mistakes and learn.

· Stay young. Grow old.

· Diligence!

· From big to small, to big, to small, to big, to small, to big, and so on, and so on…

· Filmmaking the fabric of your hours.

· Keep those in your life close.

· Love!

· Watch cinema!

· Do it!

· Now!

Peter Markham September 2022

Peter Markham